Sunday, September 29, 2019

abandoned--
the sun still shines
over the monument

*****
clouds in hurry--
the kids enjoy
the shifting moon


*****
tea flowers--
plucking warmth
of your memories

*****
space rocks--
the farmers harvest
celestial science

*****
a noble thought  the last page of the book

(Above five haiku) Bamboo Hut Journal , Autumn  2019 (Ed. Steve Wilkinson)

http://thebamboohut.weebly.com/current-issue.html?fbclid=IwAR2AFCBAefscB2Fp4oBkWe007SRzr7KiafL-b5woWySzF6fUNZ-JqWKCDVI

Thursday, September 26, 2019


toy museum--
the kids in different
dialects

*****
shopping arcade
kids busy gossiping
with the robots

*****
elephant tower
the kids gaze
skyward


*****
late evening

alone in the village road
I walk all along
in the winter breeze   
recalling mother’s storytelling

Colorado BV.net, 25.9.2019 (Ed. Kath Abela Wilson)

Tuesday, September 17, 2019


pravat kumar padhyの検索結果

saucer magnolia—
the safe landing of a
flying fox

チャンネルの検索結果
--Pravat Kumar Padhy (Odisha, India)

The Mainichi News, 18.9.2019 (Ed. Dhugal J. Lindsay)



Sunday, September 8, 2019


roaring waves--
I listen to my breath
in Yoga hall

Haiku Dialogue: Poet’s Choice, Ambiguity, 4.9.2019 (Guest Editor: Craig Kittner)



Tuesday, September 3, 2019

wind chimes  the muse of breeze

Haiku Dialogue: Poet’s Choice, Monoku, 21.8.2019 (Guest editor Craig Kittner)


https://www.thehaikufoundation.org/2019/08/21/haiku-dialogue-poets-choice-monoku/

Sunday, September 1, 2019


“re: Virals # 208  (Haiku Foundation)

old map
the whole country
one color
— Jim Kacian Cranach City Anthology; Border Lands (2007)

Pravat Kumar Padhy admires the simplicity and elegance:
The haiku by Jim has a total of 10 syllables manifested in the schematic pattern of 2-5-3. It contains two images, the “fragment” (old map) and the “phrase” (the whole country/ one color) with a gentle pause in between (cutting). The juxtaposition explores the poetic imagination in universality and brotherhood through the image of ‘color’. The poet expresses his self-realization by embellishing the belief of oneness through the creative use of ‘color’.

The monochromatic color of ‘old map’ in the top line is skillfully juxtaposed with zen-feeling of oneness as implied in the middle line and lower line. Interestingly, the vertical axis of the haiku extends to a different dimension in time implying the prevalence of harmony among the people of the country. The haiku finally culminates with an aesthetic expression of cohesion. Interestingly, the poet has not used any verb in the haiku and thus it renders a placid articulation.
Jim has artfully used assonance as a literary element. Here the vowel “o” sound repeats between syllables of the ku and crafts a subtle resonance. The haiku, in its simplicity, expresses the compassionate feeling of togetherness using ‘color’ as an element with poetic elegance.
re:Virals Haiku Foundation 30.8.2019